with Bob Condly
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creativity

The Prodigal Apprentice

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On their Unhurried Living podcast, Alan and Gem Fadling described the time they visited the Hermitage Museum in St. Petersburg, Russia. The highlight of the trip for them was getting to see The Prodigal Son, a painting by world-renowned artist Rembrandt van Rijn. A favorite of the couple, a replica hangs in a stairwell in their home, so they gaze upon this biblical scene every time they go upstairs or downstairs.

The Fadlings commented that Rembrandt trained many young painters as his apprentices. He did such a good job that often people can’t distinguish their work from the master himself. In a sense, there are many Rembrandt paintings that he didn’t paint!

This result reminded the Fadlings of the analogy of discipleship as apprenticeship. As Rembrandt taught novices the skills of painting, so Jesus trains His disciples in the ways of the Lord.

I’d like to delve into this a bit more.

Creativity

First, Rembrandt is one of the greatest artists in history. At the Artists Network, Courtney Johnson considered him “the ultimate draftsman . . . with a paintbrush.” He was efficient and effective:

Rembrandt could turn two swipes of a painting brush loaded with white paint into the coarse cloth of a girl’s sleeve. He captured ruddy and calloused hands with just two or three colors, and no more than a dozen strokes of the brush . . . Rembrandt made a stroke abstractly — as if he were not painting forms at all. As a result, the viewer sees the paint articulating as much information as possible. Because of this, Rembrandt’s work is very subtle. Each stroke does a lot of heavy lifting, in terms of conveying information.

Johnson recommends students try to copy Rembrandt’s technique:

To build up your ability to make each stroke count and learn how to paint as Rembrandt did, try painting a simple still life with a large brush using only black, white and burnt sienna. Focus on communicating with each brushstroke, since you don’t have color to fall back on. It may be a frustrating exercise, but well worth it. You will begin to recognize how to make your brush move in different ways and “say” more than one thing.

In short, Rembrandt could do a lot with a little. Like Jesus. And as the great Dutch painter molded his students to duplicate his work, so the Lord challenges us to reproduce His miracles.

As evening approached, the disciples came to him and said, “This is a remote place, and it’s already getting late. Send the crowds away, so they can go to the villages and buy themselves some food.” 16Jesus replied, “They do not need to go away. You give them something to eat.” 17“We have here only five loaves of bread and two fish,” they answered. 18“Bring them here to me,” he said. 19And he directed the people to sit down on the grass. Taking the five loaves and the two fish and looking up to heaven, he gave thanks and broke the loaves. Then he gave them to the disciples, and the disciples gave them to the people. 20They all ate and were satisfied, and the disciples picked up twelve basketfuls of broken pieces that were left over. 21The number of those who ate was about five thousand men, besides women and children. – Matthew 14:15-21

As I covered in my book, Jesus used the occasion of a crowd of hungry people without food to teach His disciples that God’s creative power working through them has no limits. Five loaves of bread and two fish can feed thousands! Through this miracle, the Lord demonstrated that miracles characterize the ministry of disciples. Should this surprise us? It’s what Christ promised.

“Very truly I tell you, whoever believes in me will do the works I have been doing, and they will do even greater things than these, because I am going to the Father.” – John 14:12

Movement

What did Rembrandt intend with his style of painting? According to Robert Hughes in The Guardian, “He aimed in his work . . . to produce . . . the greatest and most natural movement. But movement of what? The apparent movement of the bodies of the ‘actors’, the figures depicted; or the stirring of the spectator’s emotions? We do not know.”

By His ministry, Jesus effected great movement; He ushered in the kingdom of God and called people to respond.

“‘The time has come,’ he said. ‘The kingdom of God has come near. Repent and believe the good news!’” – Mark 1:14

Christ wants us as His disciples to move people and to introduce them to the kingdom.

“When Jesus had called the Twelve together, he gave them power and authority to drive out all demons and to cure diseases, 2and he sent them out to proclaim the kingdom of God and to heal the sick.” – Luke 9:1-2

“But when they believed Philip as he proclaimed the good news of the kingdom of God and the name of Jesus Christ, they were baptized, both men and women.” – Acts 8:12

Application

Apprentices have the privilege of learning a trade from a competent master. As disciples, we enjoy the blessing of developing our souls and service under the authority of Jesus. Through God’s grace, His Spirit will work through us in such a way that the fruits of our labor will be indistinguishable from His. Praise the Lord!

“This is to my Father’s glory, that you bear much fruit, showing yourselves to be my disciples.” – John 15:8

Winning the War of Art

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(http://www.thepalettepages.com/wp-content/uploads/2014/02/100_9439.jpg)

Creative work is hard. It takes effort and stamina to craft something new. In The War of Art and Do the Work, Steven Pressfield exposes resistance as the chief foe of writers. They have to fight their innate tendency to procrastinate, waste time, and criticize themselves. He interprets writing in militaristic terms, and for good reason. Try composing something. It’s a battle!

But resistance doesn’t attack writers only. Any creative person faces opposition. The artist must recognize this or her ideas will remain in her head, unrealized and unfruitful.

Why the resistance? It’s easy to blame externals: distractions, choices, no time or money. Each may contribute to the problem, but the issue goes deeper. It’s an inside job.

Kurt Vonnegut says that “to practice any art, no matter how well or badly, is a way to make your soul grow. So do it.”

That’s a clue. Art transforms nature–a lump of clay becomes a sculpture; ideas become words, and sounds become melodies. But art also changes us. When we create, we renew ourselves.

And we may not like this. We may not want to confront our fears, our hesitations, our insecurities. So we resist the work. Either we don’t start or we never finish.

And it gets even deeper. Rabindranath Tagore asks, “What is art? It is the response of man’s creative soul to the call of the Real.” To resist art, then, is to starve our souls and deny God’s call. A double calamity!

Reading through Pressfield’s books, it seemed clear to me that the biblical notion of sin provides the best explanation for resistance. Sin captures and corrupts the soul. We don’t function as we should; God’s design has been damaged.

And the effects of sin pervade our whole being.

 

  • “The Lord saw how great the wickedness of the human race had become on the earth, and that every inclination of the thoughts of the human heart was only evil all the time.” – Genesis 6:5

 

  • “Indeed, there is no one on earth who is righteous, no one who does what is right and never sins.” – Ecclesiastes 7:20

 

  • “The heart is deceitful above all things and beyond cure. Who can understand it?” – Jeremiah 17:9

 

  • “For the desires of the flesh are against the Spirit, and the desires of the Spirit are against the flesh, for these are opposed to each other, to keep you from doing the things you want to do.” – Galatians 5:17 (ESV)

Not a pretty picture, but one hardly worth denying. There’s too much evidence, both personal and global, to argue otherwise.

It’s not the artistic task that intimidates us so much as our hearts not wanting to grow.

Writing changes our soul; creating transforms us. It forces us to deal with things we’d rather not. That’s why we delay, avoid, and resist.

The same goes with the spiritual life. Do we avoid prayer? We care about issues but we may not want to change. Do we neglect God’s Word?  We enjoy learning but the commands of Jesus frighten us. Have we given up serving? Sharing our talents was fun for a while, but then . . .

Dissatisfied? Jeff Goins says, “Tell the voices of opposition to shut up. Refuse to be ruled by fear. And then, get on with what you were born to do.”

But resistance drains our creative energy; where do we get the strength to get back into the game?

Turn things around. Resist resistance. The apostle Peter tells us to “be alert and of sober mind. Your enemy the devil prowls around like a roaring lion looking for someone to devour. Resist him, standing firm in the faith, because you know that the family of believers throughout the world is undergoing the same kind of sufferings. And the God of all grace, who called you to His eternal glory in Christ, after you have suffered a little while, will himself restore you and make you strong, firm and steadfast.” (1 Peter 5:8-10).

Become aware of the battle. Don’t brush it off or hide from it. Bring it out into the open. When you do, you’ll recognize that you’re dealing with a larger enemy. He roars, but Jesus rules!

And you’re not alone. Other have faced, are facing, similar struggles. God gives them victory; He’ll bless you, too. The pain’s real, but it won’t endure.

You will.

You’ll grow.

And so will your art.

with Bob Condly

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